Creative and design

Audiovisual technician

Provide a broad range of professional solutions for communication.

Summary

This occupation is found in a multitude of sectors including but not limited to: videoconferencing and online events, academic institutions, banks, law firms, insurance providers, financial service providers, government agencies, hospitals, software developers, galleries, museums, and other live event spaces/venues. Audiovisual (AV) professionals are employed in fixed ‘site-specific’ roles (institutions, event spaces, offices, meeting rooms) and on ‘touring’ events in venues of various sizes requiring AV infrastructure (from small clubs to stadiums). Some of this work is carried out at height. The Audiovisual industry is forecast to be worth $230 billion by 2023 (The Audiovisual and Integrated Experience Association).

The broad purpose of the occupation is to provide a broad range of professional solutions for communication including videoconferencing, hybrid in-person/online events, sound, lighting, projection, and computer networking by planning, installing, configuring, and operating hardware and software. AV hardware includes audio mixing desks, video cameras, public address systems, display screens, projectors, wireless microphone systems, recording devices, lighting systems, encoders/decoders, and network switchers. AV software includes videoconferencing platforms, digital audio workstations, video editors, media servers, sound-reinforcement design/control, lighting design/control, and computer networking tools. Integrated AV involves the combination, design, and system control of the hardware/software specified above to meet unique specifications. Depending on the context, a range of working patterns are applicable including standard office hours and shift work.

In their daily work, an employee in this occupation interacts with other members of their own team, and in the course of their normal duties will interact with their line manager, senior management, potential and confirmed clients (internal/external to the employer), event organisers, public speakers, performers, AV support teams, external contractors, personal assistants, and company directors/CEO’s.

An employee in this occupation will be responsible, under minimal supervision, for design, setup, and delivery of audiovisual provision in accordance with the specifications of internal and external stakeholders. Depending on the core business of their employer these activities might be focussed on time-based events (online, in-person, and hybrid) or permanent communication systems. All of the above activity requires systematic project management skills, an evaluative approach, and the ability to synthesise client requirements, project specifications, and budget. Employees are responsible for determining the best course of action and implementing theoretical/technical knowledge in order bring projects to fruition. Additionally they are responsible for upholding institutional/national health and safety guidelines, meeting specific client requirements on time, and responding to change requests (late or otherwise) in a professional manner.

Typical job titles include

Knowledge, skills and behaviours (KSBs)

K1:

Connection of audio system components, signal flow and conversion

K2:

Methods of configuring and testing wireless microphones and what are common issues and adequate problem solving techniques

K3:

The impact of microphone placement and room acoustics on an audio signal

K4:

Audio mixing desk routing and operation

K5:

Digital Audio Workstation fundamental operations

K6:

Unmanaged audio mixing scenarios

K7:

Lighting design and fixtures/controller connections

K8:

Synchronisation of video signals for multi-camera setups

K9:

Principals of photography for moving image

K10:

Appropriate audiovisual equipment and/or applications for a given brief

K11:

Project management principles: planning, change, budgets, and documentation

K12:

Integrated audiovisual solutions for specific requirements

K13:

How to use CAD drawings when designing systems

K14:

AV over IP concepts and operation: servers, digital signage, channel distribution, and access

K15:

Awareness of the strengths, weaknesses, and limitations of videoconferencing systems and platforms

K16:

Videoconferencing booking systems

K17:

Redundancy and backup systems relevant to the project

K18:

Hardware/software configurations for streaming online audiovisual content

K19:

Installation/configuration of personal computers and common computer operating systems general functionality

K20:

Project mastering

K21:

Designation of video resolutions, frame rates, and output options

K22:

Video compression and decompression through codec and bitrate workflows

K23:

Required workflows for online and offline edits utilising a media server

K24:

Designation of sampling rate, bit depth, and channel options

K25:

Audio deliverables within the context of a specific project

K26:

Different types of online events, their requirements and key considerations

K27:

Interactive solutions for online events

K28:

Audiovisual accessibility considerations and systems

K29:

Personal data management in accordance with relevant data protection legislation

K30:

National, employer, and context specific health and safety regulations

K31:

Potential hazards and preventative measures

Technical Educational Products

ST0940
ST0940: Audiovisual technician (Level 5) Approved for delivery
HTQCD4001
HTQCD4001: Foundation Degree in Audiovisual Technology (Level 5)
HTQCD4002
HTQCD4002: FdA Live Performance Technical Production (Level 5)
Reference:
OCC0940
Status:
Approved occupation imageApproved occupation
Average (median) salary:
£29,858 per year
SOC 2020 code:
3417 Photographers, audio-visual and broadcasting equipment operators
  • SOC 2020 sub unit groups:
    • 3417/05 Sound engineers
    • 3417/01 Camera operators and videographers
    • 3417/05 Sound engineers
    • 3417/06 Theatre technicians (excludes hospitals)
    • 3417/99 Photographers, audio-visual and broadcasting equipment operators n.e.c.
S1:

Operate a video camera and vision mixer

S2:

Integrate a projector and/or display as part of an audiovisual presentation

S3:

Audio mixing; loudness, timbre, spatialisation, and channel management

S4:

Apply and problem solve video signal flow for live production

S5:

Operate and program lighting control software/hardware

S6:

Root cause analysis & problem solving

S7:

Collate, compare, and synthesise information from various sources

S8:

Work collaboratively; Building and maintaining positive relationships with stakeholders (such as performers, public speakers, presenters, clients and event organisers)

S9:

Communicate technical concepts with clarity in person and in writing to end users of all skill levels and seniority

S10:

Install, test, and commission relevant hardware

S11:

Configure and manage remote participation systems

S12:

Edit audio and video content

S13:

Prepare, maintain, and manipulate audio and video assets through post-production

S14:

Create digital assets for video workflows

S15:

Manual camera operating for a range of contemporary S35mm digital cameras

S16:

Audio capture

S17:

Deliver virtual event technical operations

S18:

Clearly advise and guide event participants

S19:

Devise a learning program intended to cover a particular device/system

S20:

Identify personal training and professional development needs via research and investigation

S21:

Organise appropriate personal professional development activities to develop and enhance own role and skills

S22:

Use collaborative online environments to schedule and update projects and tasks

S23:

Complete risk assessment documentation

S24:

Accurately assesses level of risk to health and safety of themselves and others

S25:

Test and maintain audiovisual equipment, cables, and connectors: substitute items where necessary

S26:

Document and record maintenance activities

S27:

Safe storage of equipment

S28:

Create a coherent planning document

Technical Educational Products

ST0940 image
ST0940: Audiovisual technician (Level 5) Approved for delivery
HTQCD4001 image
HTQCD4001: Foundation Degree in Audiovisual Technology (Level 5)
HTQCD4002 image
HTQCD4002: FdA Live Performance Technical Production (Level 5)
Reference:
OCC0940
Status:
Approved occupation imageApproved occupation
Average (median) salary:
£29,858 per year
SOC 2020 code:
3417 Photographers, audio-visual and broadcasting equipment operators
  • SOC 2020 sub unit groups:
    • 3417/05 Sound engineers
    • 3417/01 Camera operators and videographers
    • 3417/05 Sound engineers
    • 3417/06 Theatre technicians (excludes hospitals)
    • 3417/99 Photographers, audio-visual and broadcasting equipment operators n.e.c.
B1:

Think and act independently and safely whilst working within company guidelines

B2:

Work calmly and methodically in time-sensitive situations

B3:

Reference user manuals and manufacturer guidance

B4:

Awareness of the importance of regular contact, when appropriate, to offer updated information and documentation

B5:

Able to modify personal approach based on the situation

B6:

Challenges approaches to work in a constructive manner

B7:

Confident & effective communicator

B8:

Online researcher of new equipment and training opportunities, communicate with professionals and organisations to prioritise personal training goals and activities

B9:

Well prepared, anticipates issues ahead of time

B10:

Take initiative e.g. seek the source of an issue of own accord and take necessary action

Technical Educational Products

ST0940 image
ST0940: Audiovisual technician (Level 5) Approved for delivery
HTQCD4001 image
HTQCD4001: Foundation Degree in Audiovisual Technology (Level 5)
HTQCD4002 image
HTQCD4002: FdA Live Performance Technical Production (Level 5)
Reference:
OCC0940
Status:
Approved occupation imageApproved occupation
Average (median) salary:
£29,858 per year
SOC 2020 code:
3417 Photographers, audio-visual and broadcasting equipment operators
  • SOC 2020 sub unit groups:
    • 3417/05 Sound engineers
    • 3417/01 Camera operators and videographers
    • 3417/05 Sound engineers
    • 3417/06 Theatre technicians (excludes hospitals)
    • 3417/99 Photographers, audio-visual and broadcasting equipment operators n.e.c.